Naked of Wings Blood: Relections from the work of María Isabel Rueda

Abstract

The article presents interpretations of particular and universal-theoretical reverberations from the work of the artist María Isabel Rueda. There is no purer matter than that which has never been touched by sight; the absence of a hard look on such matter does not make it dark, it simply makes it unknown. The work of María Isabel Rueda examines that element, without words, in its own tone and weight. Using interviews, curatorial texts and publications as references, a network of meanings is woven that allows the reader to see this body of aesthetic production from new perspectives and, as a result, enrich its enjoyment.