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This article begins with the premise that an amputated eye -the phantom eye- can see ghosts. According to the author, visual hallucinations -those images perceived by the phantom eye- are ghosts. The aim of the article has two parts: the first is to explain visual hallucinations from two scientific perspectives: the phantom eye syndrome and the Charles Bonnet syndrome; the second seeks to explain these hallucinations from a non-scientific perspective through the analysis of a clinical case of an artist with an amputated eye who paints her hallucinations. The conclusion is that the artist sees ghosts, which allows for a critical examination of the concept of the image in the history of art.

María Paulina Zuleta, Pontificia Universidad Javeriana

Magíster en Historia, graduada con honores Cum Laude de la Pontificia Universidad Javeriana (Bogotá, Colombia). Profesional en Estudios Literarios y abogada. Escritora creativa y académica con experiencia en investigación en distintos campos; correctora de estilo, editora en inglés y en español, y traductora autónoma generalista del español al inglés y del inglés al español.

Zuleta, M. P. (2024). The Visual Hallucinations of the Phantom Eye: The Phantom Paradox of the Non-Image. Nómadas, 57, 1–11. https://doi.org/10.30578/nomadas.n57a16

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