From Narrative Productions to Feminist Fabulation: La Manzana de Eva

Abstract

This article analyzes the theatrical work La Manzana de Eva (Eve’s Apple) as a research-creation practice, aiming to connect the creative process with feminist fabulations through the analysis of the script and autoethnography. It also proposes that this practice transcends the commonplaces typically assigned to victims of gender-based violence. Through parody, affects, and performativity, the performers inhabit the category of victims with new meanings, daring to make speculative gestures that position them as protagonists of their own story.